| Management number | 254630005 | Release Date | 2026/11/07 | List Price | US$10.00 | Model Number | 254630005 | ||
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Vinyl LP pressing. 2015 release, the first album in eight years from the Omaha, NE-based band. Call it a soundtrack to Man's 21st century existential angst, the album poses cosmic queries, contemplates regrets, questions self-worth, and examines the possibility of living in the moment, when memories are all that we truly take with us. And in some ways, that's the sweet spot frontman and lyricist Tim Kasher inhabits: trying to make sense of this world of ours, and how and why we navigate it the way we do. Everybody's Coming Down moves in a new direction musically and, in contrast to The Good Life's earlier releases, is very much a rock record. It is also the first that truly embodies the band as a whole, more so than any previous album. With the help of Ben Brodin in Omaha's ARC Studios, The Good Life started recording in January of this year and finished the album in their respective homes. The band then turned to John Congleton (St. Vincent, Baroness, Angel Olsen, Cloud Nothings) to mix the album at his Elmwood Recording in Dallas, TX, looking to his experienced hand and uninhibited style to maintain and further realize the album's un-tempered, vital sound.
Vinyl LP pressing. 2015 release, the first album in eight years from the Omaha, NE-based band. Call it a soundtrack to Man's 21st century existential angst, the album poses cosmic queries, contemplates regrets, questions self-worth, and examines the possibility of living in the moment, when memories are all that we truly take with us. And in some ways, that's the sweet spot frontman and lyricist Tim Kasher inhabits: trying to make sense of this world of ours, and how and why we navigate it the way we do. Everybody's Coming Down moves in a new direction musically and, in contrast to The Good Life's earlier releases, is very much a rock record. It is also the first that truly embodies the band as a whole, more so than any previous album. With the help of Ben Brodin in Omaha's ARC Studios, The Good Life started recording in January of this year and finished the album in their respective homes. The band then turned to John Congleton (St. Vincent, Baroness, Angel Olsen, Cloud Nothings) to mix the album at his Elmwood Recording in Dallas, TX, looking to his experienced hand and uninhibited style to maintain and further realize the album's un-tempered, vital sound.| Performer | The Good Life |
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| Music genre | Rock |
| Music subgenre | Indie/Alternative |
| Media format | LP |
| Original release date | 2015 |
| Has parental advisory label | N |
| Number of discs | 1 |
| Track listing | 7 in the Morning, Everybody, The Troubadour's Green Room, Holy Shit, Flotsam Locked Into a Groove, Forever Coming Down, Happy Hour, Diving Bell, Skeleton Song, How Small We Are, Ad Nausea, Midnight Is Upon Us |
| Record label | Saddle Creek |
| Songwriter | Tim Kasher |
| Music producer | Ben Brodin |
| Track name | 7 in the Morning, Everybody, The Troubadour's Green Room, Holy Shit, Flotsam Locked into a Groove, Forever Coming Down, Happy Hour, Diving Bell, Skeleton Song, How Small We Are, Ad Nausea, Midnight Is Upon Us |
| Music media format | Vinyl Record |
| Is edited | N |
| Is enhanced | N |
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